Léo Malet, the poet and the penpusher
Identifieur interne : 000276 ( Main/Exploration ); précédent : 000275; suivant : 000277Léo Malet, the poet and the penpusher
Auteurs : Cédric Pérolini [France]Source :
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Abstract
This study’s purpose is to survey and analyse Leo Malet’s work. It is mainly devoted to his written productions (more than 5.000 pages…), from Surrealist poems to popular and detective novels. Nevertheless, other artistic fields are not left apart. Because of his taking part in them, or because of his contribution, some films, TV productions or comics are also mentioned. Given the size of this corpus, a guiding thread had to be found, which could deal with the author’s personality as well as his work. The search for unity behind apparent heterogeneity seemed to be the best way to guide the analysis: it thus constitutes the central line of this study.The structure of this work decomposes into seven parts:The first one is devoted to the presentation of the author’s life; it allows to show how autobiographic his work is.The study of his ideological evolution follows, in a second part.The Surrealist period is evoked, because of its importance and of its apparent peculiarity within Malet’s work.Fourth part deals with Malet’s choice to turn towards popular literature.Then it is explained how he provoked a major evolution of the 20th century French detective novel.A survey of his personal style brings to light the specificity of his vision and of his way of writing.The last part eventually analyses Leo Malet’s long-lasting influence in French popular culture.
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It is mainly devoted to his written productions (more than 5.000 pages…), from Surrealist poems to popular and detective novels. Nevertheless, other artistic fields are not left apart. Because of his taking part in them, or because of his contribution, some films, TV productions or comics are also mentioned. Given the size of this corpus, a guiding thread had to be found, which could deal with the author’s personality as well as his work. The search for unity behind apparent heterogeneity seemed to be the best way to guide the analysis: it thus constitutes the central line of this study.The structure of this work decomposes into seven parts:The first one is devoted to the presentation of the author’s life; it allows to show how autobiographic his work is.The study of his ideological evolution follows, in a second part.The Surrealist period is evoked, because of its importance and of its apparent peculiarity within Malet’s work.Fourth part deals with Malet’s choice to turn towards popular literature.Then it is explained how he provoked a major evolution of the 20th century French detective novel.A survey of his personal style brings to light the specificity of his vision and of his way of writing.The last part eventually analyses Leo Malet’s long-lasting influence in French popular culture.</div></front></TEI><affiliations><list><country><li>France</li></country><region><li>Provence-Alpes-Côte d'Azur</li></region><settlement><li>Avignon</li></settlement><orgName><li>Université d'Avignon</li></orgName></list><tree><country name="France"><region name="Provence-Alpes-Côte d'Azur"><name sortKey="Perolini, Cedric" sort="Perolini, Cedric" uniqKey="Perolini C" first="Cédric" last="Pérolini">Cédric Pérolini</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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